Welcome to En Pointe, a quarterly collection that provides a deep dive into the intersection of magnificence and dance by way of the eyes of up-and-coming, multidisciplinary dance expertise. Count on an intimate look into the day by day lives, goals, and dance-bag magnificence necessities of the business’s greatest younger performers.
As a now-retired dancer, I bear in mind a defining second in my classical ballet profession when, on the age of 13, I used to be inspired to fully dedicate myself to the artwork kind and depart behind another lofty aspirations I could have had. A instructor sat me down in a chair and instructed me what I would wish to surrender so as to pursue a profession in dance earlier than outlining what the subsequent few years would seem like if I needed to make that dream a actuality.
On the time, the profession paths of the dancers I admired had been virtually set in stone—starting with an organization position earlier than transitioning into choreography and instructing. Now, nonetheless, a brand new technology of performers refuses to be pigeonholed right into a single profession path. They’ve cracked the code on extending their distinctive artistry past the dance world into content material creation, appearing, and extra. Hold studying to fulfill one performer, specifically, who’s fully rewritten her story.
Meet Kylie Jefferson: Ballet Dancer, Choreographer, and Actor
Kylie Jefferson‘s success is proof that the talents, instruments, and pursuits fostered in a single artwork kind are nearly at all times transferable to a different. Her story begins on the age of 6, when she started coaching on the Debbie Allen Dance Academy in Los Angeles. From there, Jefferson continued her coaching on the Boston Conservatory, incomes her BFA earlier than entering into the live performance dance world with Complexions Modern Ballet.
Like so {many professional} dancers, nonetheless, Jefferson confronted her fair proportion of accidents and setbacks. Shortly after becoming a member of Complexions, she fractured her rib, forcing her to reevaluate her profession path. “I bear in mind therapeutic from that damage over the course of six or seven months and getting random job affords to bounce in music movies, and I simply stated, ‘Okay!’ I wasn’t fully healed, however I needed to get again into dancing and do one thing,” Jefferson tells me. After accepting a job on the Debbie Allen Dance Academy as an artist in residence, she ultimately stepped away from dance to work as a private assistant to an government at a high-powered Hollywood expertise company.
“I used to be doing every thing underneath the solar however had ‘the artist’s curse,'” she continues. “One of many final issues my mentor instructed me to do earlier than I parted methods with him was to pursue my goals, however I had no thought the best way to do it. All I knew was that I needed to be nice, however [I] could not put what I needed to do into one phrase, and I nonetheless cannot.” Then, in 2019, she acquired the profession break she had been ready for: the starring position in Tiny Fairly Issues, an adaptation of Dhonielle Clayton and Sona Charaipotra’s 2015 ballet drama e book. “I didn’t know I used to be auditioning for the primary character, as a result of how usually is the Black lady the primary character on a TV present—particularly once we’re speaking about ballet?” she explains.
What Jefferson initially thought can be a quick look on a couple of episodes as a part of the dance ensemble become her entering into the highlight as Tiny Fairly Issues‘ principal character, Neveah Stroyer. The ten-part Netflix collection chronicles the trials and tribulations of youngster college students in an elite ballet academy. Jefferson’s character is a ballet prodigy from Compton, California, who is obtainable a scholarship to coach on the academy. Her arrival sparks debate amongst college students and school, because it coincides with the sudden dying of one of many academy’s elite dancers. Very similar to Jefferson herself, Neveah is dedicated to staying true to herself and avoiding self-comparison as a way of measuring success.
After the present’s launch, Jefferson jumped into the world of appearing full-time. However does that imply a whole departure from dance? She’s unsure but. “I am nonetheless sort of determining what that dynamic is for me. I do my greatest to indicate up for the blessings that come my means and observe what my coronary heart is telling me that I am keen and able to do.” Her second massive appearing gig? Becoming a member of the star-studded ensemble forged—alongside Kerry Washington and Oprah Winfrey—in Tyler Perry’s 2024 movie The Six Triple Eight. It tells the story of the 6888th Central Postal Listing Battalion, an all-Black, all-female unit that performed a vital position in World Conflict II.
Coming to Phrases With Her Ballet Physique
All through her profession, Jefferson repeatedly redefined her relationship to cultural magnificence requirements, as her ballet coaching formed lots of her early perceptions of magnificence. Now, she credit her sturdy sense of self-confidence to her time on the Debbie Allen Dance Academy. “At DADA, I did not should tackle the ‘I am a Black lady who does ballet’ persona, however I did have a instructor who shared how nervous she was for me to enter different areas throughout my summer time dance packages as a Black dancer.” These areas included courses and studios the place Black college and ballet dancers had been few and much between.
It wasn’t till her time on the Boston Conservatory that Jefferson realized she wasn’t only a Black lady who did ballet—she was the solely Black lady pursuing ballet coaching in her graduating class. “That is after I began to take a look at my physique,” she tells me. Being in school is one factor with the ‘freshman 15,’ however my physique was filling out otherwise, and I acquired nervous,” she continues. “On the similar time, I used to be solely going to permit myself to really feel insecure about my existence for therefore lengthy earlier than I made it my energy.” Throughout her time on the Boston Conservatory, a go to from Complexions Modern Ballet choreographer Dwight Rhoden impressed her love for modern ballet. In contrast to classical ballet, modern ballet embraces and celebrates the Black physique—one thing Jefferson had not often seen in her early classical ballet coaching.
Jefferson acknowledges that politics, opinions, biases, and the policing of the human physique proceed to permeate the business. “I needed to hold reminding myself that when you’re quiet, you are simply right here to do your job. Nobody can put additional ammo in your character like they so usually do for us Black ladies in any workspace,” she says. By the point she was a senior, Jefferson had discovered the best way to keep unswayed in her notion of herself, specializing in her targets with willpower. Whereas filming Tiny Fairly Issues, she additionally discovered the best way to embrace errors. “I discovered to create space for imperfection,” she explains. “It may well assist you and make your efficiency even higher. You simply should keep in mind that your 100% goes to look totally different each single day.”
Jefferson’s Magnificence Necessities
Jefferson revealed that she has struggled with zits for years, however residual emotions of uneasiness and pores and skin nervousness actually rose to the floor when she started appearing. That stated, with the assistance of make-up artists—particularly these on the set of The Six Triple Eight—Jefferson started to study extra about her pores and skin kind and the best way to strategically apply make-up to masks any insecurities. Her dance expertise has additionally aided her understanding of hair well being, as dancers are sometimes inspired to tug their hair again for visibility. In ballet, this usually means carrying your hair in a decent and clear bun for hours on finish, which might create breakage on the crown of the top.
(Picture credit score: Courtesy of Kylie Jefferson)
Fortunately, Jefferson has a system she trusts to maintain her strands wholesome. “As quickly as I get out of sophistication, I instantly take down that ponytail or bun out of my hair, and I’m additionally extraordinarily cautious in regards to the sort of hair tie I exploit.” When she began to note breakage in school, she started plaiting her hair and styling it into low-tension buns. To realize her modern buns, Jefferson makes use of a mixture of Got2B’s hair spray and straightforward dwelling cures, like hair masks comprised of mayonnaise, to assist fight warmth harm.
(Picture credit score: Courtesy of Kylie Jefferson)
Within the Lululemon dance bag she carries to and from courses, rehearsals, and performances, Jefferson packs her ballet footwear (versatile flat leather-based or spandex footwear), pointe footwear, leg heaters, Tiger Balm, a Theraband, and KT Tape. She additionally has magnificence necessities like a make-up bag full of mascara and lip oil, an edge brush, and edge management. In her on a regular basis, non-dance bag, nonetheless, Jefferson packs stress-relief spray, a comb, an eyebrow pencil, mascara, and Carmex lip balm, together with an additional pair of earrings, AirPods, a telephone charger, breath mints, and extra.
Store Jefferson’s Magnificence Edit